HOLDING SPACE 2025: Rituals of Welcome Short Films

Short films
2025

HOLDING SPACE is a three year annual program of artistic commissions, creative developments, workshops, public programs and events that aims to provide a provocation and a forum to share cultural and creative ideas, experiences, understandings and learnings centred around belonging and community connectedness. In 2025, the theme was Rituals of Welcome. Learn more about the 18 artists here.

The following four short films were created by the 2025 HOLDING SPACE artists: Jacinta Tobin, Oonagh Sherrard, Shervin Mirzeinali & Wendy Qi Zhang.

In their video works, these artists have responded to the concept of Rituals of Welcome by exploring stories of lived experiences, ancestral memories and traditional ceremonial practices of welcome. They have also explored their cultural heritages to re-imagine and create new cultural practices and diversity of expression.

The short films were part of the exhibition at the Community Refugee Welcome Centre on the 6th and 7th of December 2025. Please head here to learn more about the visual artworks displayed during the exhibition.

Welcome to Country, continuing culture for thousands of years
Jacinta Tobin

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Reflection time has been sitting deeply with me, as I continue to count the Elders who guided me and encouraged me to stand up and be proud of my Country, Lore and Culture. To show others, we are still here showing good manners and right way intent. A Welcome takes time and prays to our Ancestors, part of the Creator of all that is. Respect is the key for all living things. This is how a “Welcome” has always been.

Artist bio
Jacinta Tobin is a Musical Educator of mixed race from the Boorooberongal and Cannemegal freshwater Darug clans from Greater Sydney with European blood. Jacinta has worked for over 25 years in community, government and non-government organisations and has received many awards for her service. Jacinta believes when we speak or sing in language, we are massaging Country. She believes that there is an old science of knowledge that needs re-awaking for her community and Country’s healing through Songline revitalisation.
Credits
Recording: Emmanual Doku, Jasper Tobin and Mary Hasting
Image divider: Damon Amb

Sound Walk by the Water
Oonagh Sherrard

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In July 2025, Dharug educator Stacy-Jane Etal and sound artist Oonagh Sherrard led a Sound Walk by De Freitas Wetland and Prospect Creek in Fairfield. This audio and video work is based on that event. 

In the video, the surface of De Freitas Wetland is covered with native Duck Weed, lemna disperma.

Ngarra Ngurragu (Listen to Country). A song by Stacy-Jane Etal © 2025

Ngarra budbud ngurragu (Listen to the heart of Country)

Ngalawa ngarra ngurrawa (Sit and listen to Country)

Ngarra ngurragu bayala (Listen to Country speak)

Mii ngarradyimi (What do you hear?)

About Prospect Creek and De Freitas Wetland
Prospect Creek runs through highly urbanised parts of Western Sydney. Following rain, rubbish,
pollutants and nutrients wash into the creek which flows south into the Georges River. The Georges River Keeper’s latest report card on catchment health, shows the water quality in Prospect Creek to be one of the worst in the Georges River catchment.

Prospect Creek takes its name from its source at Prospect Hill, likely named by Lt. Watkin Tench in 1790. The establishment of farms at the head of Prospect Creek in the early 1790s, led to a series of violent conflicts between European and Aboriginal people. The Dharug warrior Pemulwuy likely used Prospect Creek as an escape route when he was shot and captured in 1797, following attacks and raids at Parramatta.

Colonists moved down Prospect Creek, towards the Georges river – farming the upper freshwater parts of the creek. Aboriginal people continued to live, travel and fish along Prospect Creek into the 1950s and 60s.

In the late 1880s a massive water storage reservoir was built at the head of Prospect Creek, storing drinking water from the Hawkesbury Nepean dams to distribute across Sydney.
 
Around that time, the banks of Prospect Creek in Fairfield were transformed into landscaped gardens for wealthy residences, popular for swimming, picnicking and boating.

In the 1920s, the De Freitas family from British Guyana established a garden nursery by the wetland which carries their name. Some rose bushes from this time remain. By the 1980s the wetland was overrun with weeds and sediment and heavily polluted with debris including dumped car bodies.

Following a community campaign, the wetland was rehabilitated by Fairfield City Council in 2011. Over 10,000 native plants were planted to improve water quality and provide habitat for native wildlife.
 
Sources:
Alison Cadzow and Heather Goodall “Rivers and Resilience – Aboriginal People on Sydney’s Georges River” (2009) UNSW Press
Stephen Gapps, “Cabrogal to Fairfield City: A History of a Multicultural Community” (2009) Fairfield City Council
Artist bio
Composer, sound artist & producer Oonagh Sherrard is inspired by listening to the language and music of the natural world, creating sound based work on waterways including "11 Stories from the River Dyarubbin", “Yarramundi and the People of Dyarubbin” & "South Creek/Wianamatta Turning" involving strong collaborations with Dharug knowledge-holders and community.
Credits
Videography and Sound: Sivani Yaddanapudi, Samantha Barahona, Oonagh Sherrard

Rhythm of Speech
Shervin Mirzeinali

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Rhythm of Speech explores the musicality of language and the beauty of accent as a space of belonging. Developed through workshops with young participants from diverse linguistic backgrounds, the work focuses on the word “welcome”, a gesture that holds both cultural and emotional weight.

The piece unfolds as a journey from articulation to abstraction: beginning with close-up studies of the mouth pronouncing the word, it gradually expands into layered voices speaking in English and then in participants’ native languages. As meaning dissolves into sound, words transform into textures, rhythms, and tones, revealing speech itself as music.

This work reimagines accent not as a marker of difference or limitation, but as a rich and expressive form of identity. By detaching language from its meaning, Rhythm of Speech invites the audience to listen beyond understanding, to hear in each voice a shared humanity, and in every accent, a rhythm of welcome.

Artist bio
Shervin Mirzeinali is an Iranian-Australian composer, director, and community-focused artist. His work is rooted in his cultural heritage and shaped by a search for new musical forms that reimagine tradition through contemporary context. He holds a Doctorate in Composition, with research focused on spectralism and Iranian music, and his practice continues to be informed by both experimental approaches and his experience as an immigrant. He is especially drawn to rituals—their layers of meaning, memory, and transformation—which guide both his solo and collaborative work, including his award-winning opera Panbe Zan. One of his proudest achievements is co-founding and directing the Iranian Music Festival in Sydney, which celebrates the diversity and beauty of Iranian music while contributing to a more inclusive Australian music scene.
Credits
Concept, music and video: Shervin Mirzenali
Videographer: Sivani Yaddanapudi
Senior Creative Producer: Vandana Ram
Participants: Aly Mashaly, Ezra Mukendi, Chantal Oredi, Shreya Sharma, Salar Hosseiniamraei, Anastasiia Kachurovska & Sarmad Hosseiniamraei

Tea Time with your Soft Body
Wendy Qi Zhang

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Tea Time with Your Soft Body is a visual meditation rooted in my ancestral heritage of Fujian, drawing from the Chinese tea ceremony as a living practice of attunement and transformation. Guided by the concept of the “Soft Body”, a fluid, ever-shifting self, the work explores how ritual can act as a portal between inner and outer worlds. In the tea ceremony, we witness the flow of transformation. The way things take shape, dissolve, and return in new forms. This rhythm of becoming mirrors the experience of belonging. It is fluid, cyclical, and continually renewed through connection. Tea Time with Your Soft Body is an invitation to turn inward and connect with our senses. Rituals here become pathways, not boundaries. They offer gestures through which we might find our own meanings and ways of being. The work opens a space of welcome, a place to share our many selves and layered identities, where belonging is not fixed but gently brewed again and again.

Artist bio
Wendy Qi Zhang is a Chinese Australian artist and technology researcher based on Darug land in Western Sydney. Her practice is rooted in Daoist philosophy, Buddhist meditation, and cyberfeminist thought, exploring healing through emerging technologies. Wendy works across digital media, projection, and interactive installations to explore identity, collective care, and diasporic belonging.
Credits
Director and Artist: Wendy Qi Zhang
Senior Creative Producer: Vandana Ram
Director of Photography: Justine Da Jose
Sound Artist: Szem
Production Assistant: Mitchell O’Gorman

CREDITS

HOLDING SPACE is funded by the NSW Government through the Multicultural NSW COMPACT Program. Our project collaborators are SSI’s Community Refugee Welcome Centre located at Callan Park, Lilyfield, and Community Partners Sydney Opera House.

The 2025 HOLDING SPACE artists are Damon Amb, Elizabeth Jigalin, Ezra Mukendi, Hosna Saif, Jacinta Tobin, Jessica Tobin, Justine Youssef, Kumari Abeydeera, Maryam Hosseini, Oonagh Sherrard, Paula do Prado, Shervin Mirzeinali, Shyamla Eswaran (Bindi Bosses), Vishnu Arunasalam, Wendy Qi Zhang, Metin Yilmaz, Damian Wright, Guillermo Robayo Gómez & Black Feather Circle.

Webpage header image captured by Damon Amb of audiences viewing Oonagh Sherrard's Sound Walk by the Water.

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Our office is located on Darug land at Fairfield City HQ. We would like to acknowledge the Cabrogal Clan of the Darug Nation, the traditional custodians of the land. Our work takes us across Darug, Dharawal and Eora lands. Sovereignty was never ceded.